STRAWINSKY - Le Sacre du printemps (Siepmann)
eMusik
- Titel: STRAWINSKY - Le Sacre du printemps (Siepmann) / Klassik Einführung. Siepmann, Jeremy, Autor
- Umfang: Online-Ressource
- Erschienen: Naxos Classics Explained, 2003
- Link(s): Verbindung zur Naxos Music Library
- Anmerkungen: Einführung in STRAVINSKY - Le Sacre du printemps (Siepmann): Introduction (complete); Part I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The 'Rite of Spring' chord; Cue to Introduction; A matter of mode; A panoply of Stravinskyan birdsong; ... 00:24:48 -- Teil I: The Adoration of the Earth: The Augurs of Spring / Dances of the Young Girls: The great arrival: bitonality; Putting the boot in: a metrical mugging; The prevalence of ostinatos, and a righting of wrongs; Metre restores (briefly) but the 'savage motif' returns; The musical savages routed; ... 00:10:55 -- Teil I: The Adoration of the Earth: Ritual of Abduction: A real study in contrasts; Panic and pandemonium as timpani open fire; Climactic melee haunted by 'fear motif' 00:04:14 -- Teil I: The Adoration of the Earth: Spring Rounds: Suddenly another world, as flutes hover over harmonic vapour...; ...but a transient one: new movement arises from the deep; 'Dragging feet motif' over ostinato violins, twice interrupted; 'Marching motif' developed further by flutes and horns; A trilling commentary from piccolo and high clarinet; ... 00:06:31 -- Teil I: The Adoration of the Earth: Ritual of the Rival Tribes: Violent onslaught from brass and timpani launches the 'Rival Tribes'; Rival Tribes, rival motifs; Sensational violence comes close to chaos; Effects, impressions and alteration; A surprise re-entry and a change of instrumental clothing; ... 00:09:06 -- Teil I: The Adoration of the Earth: Procession of the Sage: Across the threshold into an instrumental population explosion; A sudden silence and then another world; Catapulted into the 'Dance of the Earth' 00:03:07 -- Teil I: The Adoration of the Earth: Dance of the Earth: Tiny changes, unyielding ostinatos, massive tension; Cue to Part I complete; Part I (complete) 00:19:34 -- Teil II: The Sacrifice: Introduction: Again a muted, subtly coloured start; Tone colour as atmosphere - the strings' motif; Four solo violas, above gently rocking strings; A pregnant pause, and a new motif in muted trumpets 00:03:53 -- Teil II: The Sacrifice: Mystic Circles of the Young Girls: Motif from the Introduction varied and extended; New motif, heralded by clarinets and violins, is introduced by alto flute; Variant of Motif No. 2 given out by two clarinets; Continued by oboes and bassoons; new motif in violins, cellos and bass clarinet; Main motifs yield to new idea from flutes; ... 00:16:19 -- Teil II: The Sacrifice: Glorification of the Chosen One: On into one of the most sensational movements ever written; The violence is almost graphic. An example of musical terrorism; Motif No. 2: a terrible, off-beat com-pah from strings, horns and oboes; The air is filled with the fearsome baying of wind and violins; A variant of Motif No. 2, but now descending; ... 00:12:07 -- Teil II: The Sacrifice: Evocation of the Ancestors: The next movement consists of a single, chordal motif, three times varied; The second statement: breaking the metrical flow 00:03:11 -- Teil II: The Sacrifice: Ritual Action of the Ancestors: At last the establishment of a clear and steady beat, but will it last?; A counterpoint of ostinatos lends continuity to changing time signatures; Horns introduce the first real motif, destabilised by multiple metres; The motif disappears, though the Hintergrund ostinato continues; A change of mood, then the whole orchestra crashes in; ... 00:10:46 -- Teil II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythm; The second motif is likewise predominatly rhythmical in effect; Two variants: one a rhythmic simplification, the other an expansion; A new section, again with two main motifs, the first from wind and strings; This is joined by another bried but very striking motif from muted brass; ... 00:29:43 --
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